• DARK_WOOD (2023 – ONGOING)

    Interactive video game installation featuring charcoal works on various sizes, Raspberry Pi, CRT monitor, headphones, keyboard, cables, desk, chair and display case. Part of the Dark Wood series.

    Funded by Stimuleringsfonds Creatieve Industrie
    Musical score by Tino Theqvist

    EXHIBITION HISTORY

    Troubled Waters (2025)
    Werkwarenhuis, Den Bosch

  • DIPTYCH_240314 (2024)

    Acrylic on wall, 100x500cm + 100x300cm. Realized on 3rd floor stairwell of Master Institute of Visual Cultures in Den Bosch. Part of Blok series.

  • ARCHIVIST (2023-2025)

    Assemblage, filing cabinet, computer, software, plastic, servo motors, CRT monitor (4:3), dot-matrix printer, 1000 pages continuous 90 grs paper, 135x45x125cm.

    Archivist 1.0 was commissioned for the IMPAKT festival in 2024. The interactive art installation examining the relationship between time, technology, and human presence, through the exploration of the concept of ruins, metaphysics, and our evolving digital culture. It melds the physical and digital, using an autonomous system to search for and capture visages of everyone that appears in front of it and transforming them into binary data that’s then printed onto a 300 meter long scroll of paper. The work exists in iterations, changing with every encounter until it’s final version developed in August 2025.

    EXHIBITION HISTORY

    Memory Vacuum – Digital Echoes (2025)
    Curation: Balázs Milánik
    Grey Space in the Middle, The Hague

    Atelier Agora (2025)
    Curation: Izzy Wu Ramos
    Cultuur & Campus Putselaan, Rotterdam

    INCUBATOR (2024)
    Curation: Boris Gunst, Feodora Ratsiborinskaya
    Documentation: Sil Munik
    Kunstkerk, Dordtrecht

    IMPAKT Festival (2023)
    Curation: Ezgi Aktug, Merit Zimmermann
    Stadsklooster, Utrecht

  • ARCHIVIST_1.2 & NNCO (2024)

    Assemblage, filing cabinet, computer, software, plastic, servo motors, CRT monitor (4:3), dot-matrix printer, 1000 pages continuous 90 grs paper, 135x45x125cm.

    Diptych, acrylic, ceramic stucco, canvas, 75x150cm x 2

    WE_ARE_DATA (2021-2024)

    Acrylic on paper, 21×29.7cm. Part of Blok series.

    A selection of the portraits has been engraved on a 35x50cm slate tablet and buried in an undisclosed location as a part of Trash in the Yard exhibition.

    EXHIBITION HISTORY

    The Way the Wind Blows / Stormslag (2025)
    Curation: Storm Wilschut
    Kabul à GoGo, Utrecht

    DUNGEON – Solo Exhibition (2024)
    Curation: Bram Engelaar, Niek van der Veer
    De Nijverheid, Utrecht

    INCUBATOR (2024)
    Curation: Boris Gunst, Feodora Ratsiborinskaya
    Documentation: Sil Munik
    Kunstkerk, Dordtrecht

    Forever Young (2024)
    Curation: Beroeps Organisatie Kunstenaars
    Boterhal, Hoorn

    Trash in the Yard (2022)
    Curation: Martina Raponi, Belle Phromchanya, Eden Mitsenmacher
    Arboretum Trompenburg, Rotterdam

    Fundacja Ocalenie – Fundraiser Exhibition (2022)
    MONO, Rotterdam

    Place to Be (2022)
    Curation: Ine van der Horn
    Galerie Pouloeuff, Naarden

  • BLOK (2021-2023)

    Acrylic on canvas, wood of variable sizes.

    EXHIBITION HISTORY

    DUNGEON – Solo Exhibition (2024)
    Curation: Bram Engelaar, Niek van der Veer
    De Nijverheid, Utrecht

    Crisiskunst (2022)
    Curation: Zoë Cochia, Float
    Galerie Niffo, Rotterdam

    Kunstprijs Charlois (2022)
    Curation: Karin Trenkel
    Karel De Stouteplein, Rotterdam

    Place to Be (2022)
    Curation: Ine van der Horn
    Galerie Pouloeuff, Naarden-Vesting

    Eigen Domein (2022)
    Curation: Maria Makridis
    LOU Oudenoord, Utrecht

    House Peace (2021)
    Hotel Mokum, Amsterdam

    Dit is Culture (2021)
    Red Floor Gallery, Alexandrium Shopping Centre, Rotterdam