• Dark Wood Ritual (2026)

    Total runtime of 2 hours, paper scroll of 150 x 2250cm, charcoal, erasers, scissors, incense, casette tape-loop, casette boombox, nails.

    Dark Wood is an alchemical ritual born through a developing studio practice. The method, staring into the grain of a charcoal-coated surface, erasing without a predetermined image, letting the material itself suggest form, was originally a conversation between the maker and the medium. This public iteration, first realised during a fellowship with Baltan Laboratories, translates that intimate grammar into a shared space.

    Participants enter a magical circle, a zone indicated by the scroll of paper, which is ruled by a different logic. A repetitive, synchronizing sound fills the room from a tape-loop, a scroll of blackened paper hangs before them. They are guided to choose a word, repeat it until meaning dissolves into vibration, and then to erase the charcoal by following the patterns that emerge from the noise. There is no intended outcome, no desired image. The hand moves in response to what the surface reveals, not what the mind imposes.

    The instructions are simple but strict: lose yourself, don’t think, deduct, intuit, and yet no two traces ever resemble each other. When the conscious mind is occupied with the mantra and the ritual bounds, the unconscious speaks in a language before language. Figures, textures, and gestures surface that could not have been planned. The scroll becomes a collective map of inner terrains glimpsed in a state of heightened receptivity.

    This document records the first workshop in what I hope will be an ongoing cycle. The theory that underpins the method, alchemical stages, the role of the inner guide, the cut-up of perception, is gathered at athanor.one. For those curious, the only way to understand Dark Wood is to enter it. The ritual continues to evolve, and each participant leaves a mark that shapes what it becomes next.



    EXHIBITION HISTORY

    The 21st Century Alchemist (2026)
    Curation: Baltan Laboratories
    Documentation: Barbara Medo
    Van Abbehuis, Eindhoven


  • Furnace 1 (2025)

    1200x200cm (flat) / 6,92m2 (floor space), upcycled root tarp, sand, acrylic paint, wood, wires, digital projection. Part of ARTEFACTS series.

    An empty furnace awaiting fire. Portable, it is rolled out, unfolded, hung up and set alight in places wishing to accomodate it, and the roar that comes when it is activated by ritual. It is transported from place to place like a travelling circus, searching for materia to dissolve and coagulate.

    For those wishing to cross paths: https://athanor.one

    EXHIBITION HISTORY

    GRAW (2025)
    C3-Studios, Rotterdam

    Geel Blauw Land (2025)
    Kunstgarage Franx, Zoetemeer

    Living Intentionally (2025)
    Nul Zes, Eindhoven

    Ears to the Ground – MA Graduation Show (2025)
    Clublokaal, Breda

    TNT (2025)
    160K, Rotterdam

    Athanor (2025)
    Koda, Schiedam

  • Cloud / Icon (2025)

    Acrylic spray paint on wall, ~100m2 surface at Hof van Zuilenstein, Rotterdam. Commissioned freestyle mural for All Caps Festival 2025.

    PRESS
    In De Buurt “9 x nieuwe muurschilderingen in Beverwaard”

  • Wish (2025)

    150 x 150 cm, acrylic, sand on tarp.

  • Pattern / Map3 (2025)

    30 x 42 cm, charcoal on paper.

    EXHIBITION HISTORY

    One Night Stand (2025)
    Kunstpodium T, Tilburg

    ART ON PAPER (2025)
    Curation: Sylvie Dora
    ALL CAPS HQ, Rotterdam

  • Portrait / Mischief (2025)

    40 x 40 cm, acrylic, sand on canvas.

  • Portrait / Pattern (2025)

    200 x 200 cm, acrylic, sand on tarp, 200x200cm.