
DIPTYCH_240314 (2024)
Acrylic on wall, 100x500cm + 100x300cm. Realized on 3rd floor stairwell of Master Institute of Visual Cultures in Den Bosch. Part of Blok series.

BLOK
The Blok series emerged during global quarantine as a meditation on constrained spaces – both architectural and psychological. These pixelated black-and-white paintings translate the experience of lockdown into visual form, where dream fragments and wandering thoughts crystallize into the rigid geometry of Soviet-era apartment blocks. Working within self-imposed limitations of palette and form, the paintings visualize memory’s inherent compression, how lived experience becomes reduced to low-resolution impressions. The recurring concrete grid motif operates simultaneously as physical structure and mental architecture, a place people inhabit that equally inhabits them. This duality reflects the series’ core tension between external confinement and internal expansiveness. As the foundational works in my alchemical practice, the early Blok paintings established key concerns that would later evolve through We Are Data and Kompresor: the embrace of technical constraints as antidote to perfectionism, the transformation of digital artifacts into material form, and the use of systematic reduction to access deeper psychological truths. The series continues to document this negotiation between control and surrender, where even within the strictest formal boundaries – the pixel grid’s unyielding geometry – unexpected moments of organic irregularity emerge. These “flaws” become the work’s most human elements, artifacts of a hand wrestling with digital logic.

Acrylic on wall, 100x500cm + 100x300cm. Realized on 3rd floor stairwell of Master Institute of Visual Cultures in Den Bosch. Part of Blok series.


















Acrylic on canvas and paper of various sizes. Part of Blok series.
EXHIBITION HISTORY
The Way the Wind Blows / Stormslag (2025)
Curation: Storm Wilschut
Kabul à GoGo, Utrecht
Forever Young (2024)
Curation: Beroeps Organisatie Kunstenaars
Boterhal, Hoorn
INCUBATOR (2024)
Curation: Boris Gunst, Feodora Ratsiborinskaya
Documentation: Sil Munik
Kunstkerk, Dordtrecht
DUNGEON – Solo Exhibition (2024)
Curation: Bram Engelaar, Niek van der Veer
De Nijverheid, Utrecht











































Acrylic on paper, 21×29.7cm. Part of Blok series.
A selection of the portraits has been engraved on a 35x50cm slate tablet and buried in an undisclosed location as a part of Trash in the Yard exhibition.
EXHIBITION HISTORY
DUNGEON – Solo Exhibition (2024)
Curation: Bram Engelaar, Niek van der Veer
De Nijverheid, Utrecht
Trash in the Yard (2022)
Curation: Martina Raponi, Belle Phromchanya, Eden Mitsenmacher
Arboretum Trompenburg, Rotterdam
Fundacja Ocalenie – Fundraiser Exhibition (2022)
MONO, Rotterdam
Place to Be (2022)
Curation: Ine van der Horn
Galerie Pouloeuff, Naarden


acrylic on wall
acrylic and ceramic stucco on wood, 90x130cm
In March 2023, eight young adults dubbed as the “Nestbouwers” joined the team at The Natural History Museum. They were a vibrant addition to the regular staff, always ready to voice their ideas and continually surprising the museum-goers. Their debut exhibition, ‘Fungi in the Spotlight’, served as an introduction to their unique group and their fascination with the under-appreciated group of organisms – fungi.
The Nestbouwers transformed the museum’s Haverhorst Vestibule into a new exhibition space called “The Broedplaats”. In this revamped space, they aimed to bridge the gap between humans and nature, bringing their innovative ideas to fruition. ‘Fungi in the Spotlight’, the first exhibition by The Nestbouwers, debuted on July 8, 2023.
During a guided tour through The Natural History Museum’s storage rooms, the Nestbouwers were captivated by the small yet exquisite fungi collection, predominantly encompassing mushrooms. Their curiosity led them to delve into how these organisms resonate with human life. ‘Fungi in the Spotlight’ allows visitors to learn more about the eight Nest Builders while simultaneously exploring the diversity, aesthetics, and functionality of fungi.
Part of this exhibition involved creating a prominent painting that directly interacted with a mural in the center of the space. This functioned as a visual representation, accentuating the symbiotic relationship between the fungi and the environment




















Acrylic on canvas, wood of variable sizes.
EXHIBITION HISTORY
DUNGEON – Solo Exhibition (2024)
Curation: Bram Engelaar, Niek van der Veer
De Nijverheid, Utrecht
Crisiskunst (2022)
Curation: Zoë Cochia, Float
Galerie Niffo, Rotterdam
Kunstprijs Charlois (2022)
Curation: Karin Trenkel
Karel De Stouteplein, Rotterdam
Place to Be (2022)
Curation: Ine van der Horn
Galerie Pouloeuff, Naarden-Vesting
Eigen Domein (2022)
Curation: Maria Makridis
LOU Oudenoord, Utrecht
House Peace (2021)
Hotel Mokum, Amsterdam
Dit is Culture (2021)
Red Floor Gallery, Alexandrium Shopping Centre, Rotterdam